Ewing Power Production seizes one of the darkest and most fascinating stories of 19th-century America, and the world of cinema is not ready.
There are stories that History prefers to forget.
Stories too heavy, too dark, too true to be told out loud. Stories that sleep beneath the ashes for more than a century and a half, waiting for someone with the courage to dig them up.
Ewing Power Production has just done exactly that.
A City Swallowed by Flames
It is 1861. In the burning desert of Palm Springs, California, there exists a city that few people know today: Reytac.
A living city. A city of commerce, aristocracy, secrets, and intertwined destinies. A place where families build futures, where women fight for dignity, where children dream of growing up.
Then comes the fire.
In 1861, Reytac disappears completely in the flames, taking with it its mysteries, its inhabitants, and the most horrifying secret in its history: 11 children murdered inside the Reytac train station.
Eleven children. Eleven broken lives. Eleven names almost erased by history.
For more than 160 years, no one knew whether Reytac was reality or urban legend. Some researchers believed. Others dismissed it entirely. Reytac remained suspended between myth and truth, like a shadow no one dared to fully face.
Until now.
Ewing Power Production: When Hollywood Answers the Call of History
When the teams at Ewing Power Production (EPP), the audiovisual division of Mason Ewing Corporation, first encountered Reytac, one question arose:
Reality or legend?
They searched. They dug. They followed the fragile thread of a story nearly erased from archives.
And what they discovered changed everything.
Reytac had truly existed.
The decision was immediate. EPP initiated the acquisition of full rights related to the Reytac universe: film rights, television rights, video games, licensing, merchandise, every medium, every character, every story.
Reytac now belongs entirely to Ewing Power Production, a subsidiary of Mason Ewing Corporation.
A cinematic empire built around a ghost city. A universe born from the ashes of 1861.
Madison Design: When Art Resurrects the Ghosts
EPP is not alone in this venture.
Madison Design, another subsidiary of Mason Ewing Corporation specializing in luxury architecture and artistic production, is giving the Reytac universe a powerful visual identity.
The mission: create a series of monumental paintings measuring 5.9 ft by 4.2 ft, each one telling a fragment of Reytac’s story, its inhabitants, its secrets, and its ghosts.
These works are not simple illustrations. They are visual testimonies of a vanished world.
Madison Design aims to organize a major international exhibition in New York by the end of 2027, offering the world its first full artistic immersion into Reytac.
New York. Art. Reytac. A historic convergence.
REYTAC: The Cinematic Project That Will Shake Hollywood
The New York exhibition is only the beginning.
According to Mason Ewing and Claudius Erhardy, Director of Operations at Mason Ewing Corporation and former executive at The Walt Disney Company Europe, Reytac expands far beyond visual art.
The first major cinematic project is titled:
REYTAC’S 2 ROUNDS
A horror film. Dark. Brutal. Relentless.
At its center: Gwendolyn Porter, one of the first children murdered in the Reytac train station massacre of 1861.
Her story becomes the emotional and narrative core of a terrifying cinematic universe.
A horror disguise. A historical rupture. A franchise designed to redefine the genre.
A Cast Already Turning Heads
To bring this universe to life, Ewing Power Production has assembled a growing cast.
Among the names already associated with the project:
- Louis Lopez, known for his intensity and screen presence, naturally aligned with the dark tone of Reytac.
- Eric April, bringing creative depth and industry experience to the project.
- Rumors also circulate around major American figures, including Eric Roberts and Calista Carradine, signaling the scale of ambition behind the production.
Reytac’s 2 Rounds is not an independent horror film.
It is a statement.
Reytac: Legend or Truth?
This remains the central question.
And it fuels every debate, every investigation, every fascination.
Mason Ewing responds with conviction:
Reytac is not just a legend. It is far more than that.
It is precisely this ambiguity, this fragile boundary between documented history and myth, that gives Reytac its power.
For young filmmakers. For the African diaspora. For anyone who believes in global storytelling beyond borders.
Reytac stands as proof.
Ewing Power Production, a subsidiary of Mason Ewing Corporation, Hollywood, Los Angeles, California.
Press & partnerships: contact@masonewingcorp.com | www.masonewingcorp.com
